13 / 16 · a relation with direction
監督 · Ревизия · supervisor's side
A casual remark lands large.
監督 / seen from the supervisor's side / the other side is Supervisee
This relation has a direction. And only one side feels it strongly. The supervising side usually thinks nothing is happening.
SUPERVISOR
01 When you first meet
You are behaving normally. Not especially aware of anything. Only, the other person is somehow a little stiff. Polite yet distant, and seemingly watching for your reaction.
The reason is simple. What you do most unconsciously is the area hardest for the other to see. You do it like breathing, and they do not want to be seen there.
The first thing that happens in this relation is that one side alone grows tense. The other does not even notice being tensed at.
02 After a while
You only gave an impression. You did not mean to point anything out or to evaluate. Yet to the other it arrives as a verdict handed down. And a verdict on the place they are least confident about.
So even praise does not work as well as you would think. The other always receives your words as a grade. Even given a good mark, the frame of being graded itself does not change.
From your side, the other's reaction is a little strange. You cannot see why it happens. You have no memory of doing anything wrong.
03 If it is to last
The one holding the wheel in this relation is the side that does not feel it. The other's effort will not change it. So if you draw back a little, the view changes.
Halve the advice. Avoid words of evaluation. In the area where the other is clearly strong, say nothing and leave it to them. The last one in particular breaks the vertical frame once.
A relation that works better when closeness is not shown by proximity. The more you want it to go well, the more one step of distance makes it function.
Trying to change the other will not move it. What can be adjusted is on your side.
Between equals it takes care, but where the roles are clear it works strongly.
PROne thing for this relation
A relation where a casual remark lands large, so tools for choosing words.
Chosen from works where the relationship between the two is itself the centre of the story.
Read from Sensei's side, he never manages to gauge, to the end, how his words are arriving. The one handing over the weight does not notice it.
This is not a typing of the characters. They are listed as examples where the shape of this relation is drawn clearly.
Chosen from songs whose subject is exactly what happens between the two.
The watching side means it as affection. It never becomes aware, to the end, of how it arrives.
Words from the side that sends off. The one handing over the weight is not counting it.
No lyrics are quoted. The songs are listed for the shape of relation they deal with.
Example: INTJ and ENFP. Every pair in this relation connects the same positions in the same way; only the elements inside change.
Lines connect the same element in the other person's structure. 1–2 (strong) 3 (role) 4 (vulnerable) 5–6 (wanted) 7–8 (capable, indifferent)
The left is the supervising side, the right the supervised. Reverse the direction and it is a different relation.
This relation has a direction. Read from the supervised side, it looks entirely different.
To the Supervisee page